1. |
Nathicana
08:05
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It was in the pale garden of Zaïs;
The mist-shrouded gardens of Zaïs,
Where blossoms the white nephalotë,
The redolent herald of midnight.
There slumber the still lakes of crystal,
And streamlets that flow without murm’ring;
Smooth streamlets from caverns of Kathos
Where brood the calm spirits of twilight.
And over the lakes and the streamlets
Are bridges of pure alabaster,
White bridges all cunningly carven
With figures of fairies and daemons.
Here glimmer strange suns and strange planets,
And strange is the crescent Banapis
That sets ’yond the ivy-grown ramparts
Where thickens the dust of the evening.
Here fall the white vapours of Yabon;
And here in the swirl of vapours
I saw the divine Nathicana;
The garlanded, white Nathicana;
The slender, black-hair’d Nathicana;
The sloe-ey’d, red-lipp’d Nathicana;
The silver-voic’d, sweet Nathicana;
The pale-rob’d, belov’d Nathicana.
And ever was she my belovèd,
From ages when Time was unfashion’d;
From days when the stars were not fashion’d
Nor any thing fashion’d but Yabon.
And here dwelt we ever and ever,
The innocent children of Zaïs,
At peace in the paths and the arbours,
White-crown’d with the blest nephalotë.
How oft would we float in the twilight
O’er flow’r-cover’d pastures and hillsides
All white with the lowly astalthon;
The lowly yet lovely astalthon,
And dream in a world made of dreaming
The dreams that are fairer than Aidenn;
Bright dreams that are truer than reason!
So dream’d and so lov’d we thro’ ages,
Till came the curs’d season of Dzannin;
The daemon-damn’d season of Dzannin;
When red shone the suns and the planets,
And red gleamed the crescent Banapis,
And red fell the vapours of Yabon.
Then redden’d the blossoms and streamlets
And lakes that lay under the bridges,
And even the calm alabaster
Glow’d pink with uncanny reflections
Till all the carv’d fairies and daemons
Leer’d redly from the backgrounds of shadow.
Now redden’d my vision, and madly
I strove to peer thro’ the dense curtain
And glimpse the divine Nathicana;
The pure, ever-pale Nathicana;
The lov’d, the unchang’d Nathicana.
But vortex on vortex of madness
Beclouded my labouring vision;
My damnable, reddening vision
That built a new world for my seeing;
A new world of redness and darkness,
A horrible coma call’d living.
So now in this coma call’d living
I view the bright phantons of beauty;
The false, hollow phantoms of beauty
That cloak all the evils of Dzannin.
I view them with infinite longing,
So like do they seem to my lov’d one;
So shapely and fair like my lov’d one;
Yet foul from their eyes shines their evil;
Their cruel and pitiless evil,
More evil than Thaphron and Latgoz,
Twice ill for its gorgeous concealment.
And only in slumbers of midnight
Appears the lost maid Nathicana,
The pallid, the pure Nathicana,
Who fades at the glance of the dreamer.
Again and again do I seek her;
I woo with deep draughts of Plathotis,
Deep draughts brew’d in wine of Astarte
And strengthen’d with tears of long weeping.
I yearn for the gardens of Zaïs;
The lovely lost garden of Zaïs
Where blossoms the white nephalotë,
The redolent herald of midnight.
The last potent draught I am brewing;
A draught that the daemons delight in;
A draught that will banish the redness;
The horrible coma call’d living.
Soon, soon, if I fail not in brewing,
The redness and madness will vanish,
And deep in the worm-peopled darkness
Will rot the base chains that hav bound me.
Once more shall the gardens of Zaïs
Dawn white on my long-tortur’d vision,
And there midst the vapours of Yabon
Will stand the divine Nathicana;
The deathless, restor’d Nathicana
Whose like is not met with in living.
words : HP Lovecraft - date unknown.
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2. |
Mnar Dissolving
09:38
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There came unto the land of Mnar
a shadow cast a shape
of secret symbols by the hour
All sacred eyes turned to the sky
in vain attempts to speculate
the meaning from on high
“We hold the keys of knowledge past
Your present futures rest upon our first rate simulcast”
As hours followed, day by day
The holiest did meditate
To isolate the fate that might await
By now the shepherds cross had won and Mnar lay broken
a wasteland in the sun
Too late to save too many lost ones
Who by the hand of fate were placed into harms way - too late to run
The cursed city tried to take me amidst the darkened streets
the shadows did betray me
And often lost, alone I wander
It seems the only way to truth is known to everyone but me
And on I seek to find a city
A modern day Narcissus I
a search for ruins standing nearly
where I last bid my Mnar goodbye
But all I see is desolation
and sense a loss I can’t explain
There are no ruins, there is nothing
to carry on except a name
I saw imaginary daemons
the ghost of long lost devil eyes
I entered into this agreement
to help destroy one final lie
And so the name of Mnar will die here
behind these lips of firm resolve
It’s fading memory will appear
as thin gray dust which soon dissolves
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3. |
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As an empty page it stands before me
Lost and never lost and once so lonely
Ghost Town...in the distance Fog Bound
Lost within the mist your daemons hide and twist alone
Climb the ancient mountainside at night
Watch as shadows gather in the half light
Desecrate the altar with their Acolyte...their Acolyte
I’ve read that hoary manuscript
I’ve seen forbidden festival
But none prepared me for the sight
of locking horns with death at night.
The mist surrounded crumbling house
held court for we had crossed too far
in mortal knowledge : mortal time
I curse the day I started on this climb.
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4. |
The Festival
25:01
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(The Festival: Arrival)
The Yuletide season was upon New England as I
walked crushing snow ‘neath the heel of my boot
To the ancient city of my ancient people attending festival of ancient roots
As the ocean crashed pounding on the stones separating sea from ancestral lands
I beheld the city only dreamed of lately this modern son embraced Kingsport’s hand
Once a hundred clans knew the ancient ways of the rites that were held once a century
Now the poor and lonely of the dark tradition the last to bear responsibility
To uphold the promise of the first forefather continue teaching in the ancient way
So they sent me East to the misty dawn to attend the festival of Hallow Day
I saw vanes and steeples, willow trees and graves where the stones were set in 1692
And the tree of legend where my kinsmen hung
as convicted witches which I now know was true
I walked toward the city and I listened — all was still — No Christmas season songs were sung, no candled windowsills
I reasoned these were Puritans, I was not too dismayed since logic said instead of song they likely knelt and prayed
I passed the dim—lit farmhouses while walking to the place
that ancient custom led me to — on Green Lane #8
I must admit I thought it strange that in that fallen snow
No footprints I could find or make above it or below
In anxious haste I knocked
Instantly it opened
Deaf and dumb he motioned
The Festival is soon
He pointed to a table, 3 books sat waiting
I chose the first one (with hesitation)
I read the title (The Necronomicon) inviting me to alchemy
I read with horror the incantations
I closed the book and closed their demonstrations
when handed cloak and hood to keep me warm from Winter’s tear
The time of Festival was here!
(The Festival: Procession)
The candles killed we left the house for streets as quiet as death
to join with many other cloaked and hooded marionettes
And now the streets so crowded you’d expect a mighty roar
but silence was the only sound (which seemed to scare me more)
Down corridors on toward churchyard hill
Eyes of the night cold as ice watching still
Top of the spire seemed to point to a star
Aldeberan seemed so near yet so far
So following my voiceless guide but straying to the rear
I watched the others ooze into that church of yesteryear
When finally I crossed that threshold wond’rinq where they’d gone
I saw the alter’d opened leading to oblivion
Now weak from fear I took my place descending spiral stairs
which tunneled through the very heart of Kingsport unaware
Perhaps a mile maybe two into the crypt
I found a world of decay as I slipped
into a nightmare and on farther down
Desperately seeking escape from this hideous ground
Then suddenly I saw a lurid shimmering of light
A river underground of oily water black as night
And in the middle rose a leprous fire of greenish flame
I watched them as they worshipped it in spirit and in name
(The Festival: Escape)
My subterranean vision shone, a noisome flute did drone
And suddenly the sound of wings ascending from below
The beasts I saw were hybrid things a madness to behold
And in that fire of greenish flame I shivered from the cold
My guide stepped forth to worship and fulfill the ancient game
And all the rest performing rites of long forgotten name
He held the Necronomicon up high for all to see
As one by one each celebrant would mount a winged beast
But not me — I wondered what to do
Could I be a mutiny or just a long forgotten clue?
My host now motioned me to choose a beast to make my flight
But I resisted seeking to escape this hoary rite
Blocked the stairs and grabbed me as his waxen mask did fall
No human head behind it I dove into that river
before the madness of my screams
could bring the charnel legions down to feed on me!
“The nethermost caverns are not for the fathoming
of eyes that see for their marvels are strange and terrific.
Cursed the ground where dead thoughts live
new and oddly bodied, evil the mind that is held by no head.
Happy the tomb where no wizard hath lain and happy the town at night
whose wizards are all ashes
For it is of old rumors that the soul of the devil—bought haste not (from his charnel clay) but fats and instructs the very worm that gnaws. ‘Till out of corruption horrid life springs and the dull scavengers of earth wax crafty to vex it and monstrous to plague it. Great holes secretly are digged where earths pores ought to suffice
And things have learnt to walk that ought to crawl.”
Final quoted lyric: HP Lovecraft -1923
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Mutiny in Jonestown Washington
Influenced by classic 70's progressive rock bands like King Crimson, Van Der Graaf Generator & Genesis - along with late
60's psychedelia from The Beatles, Procol Harum & Pink Floyd (with a little 70's Black Sabbath thrown in for good measure), Mutiny in Jonestown has always sought to take these influences and synthesize them into something new.
The band has released 42 albums since 1987.
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